Slaskeben has arrived! Well, to begin with, my parents wanted to call me Henrik – and that is still my real name, actually. In short, I am a danish hobby musician, and I have been making music on/off in a variety of genres since the early nineties on Amiga, Commodore 64 and PC. Slaskeben is my old school Amiga hardcore project made on a real Amiga 1200 equipped with a Blizzard 1230 IV. I primarily use ProTracker, but some of my tracks are made with OctaMED as well.

1987 (approx.)

I got my first computer, a Commodore 64 breadbin model, and was quite fascinated with its amazing sound capabilities and the great music composed by very skilled musicians. I wanted to try it out myself, but had absolutely no idea where to start. There were no internet at that time, and after staring at a wall of hex codes for hours, tweaking and experimenting, and still getting no sound out of it, I gave up, and just continued to be amazed of other people’s music.


Around 1994 or so, I got the coolest computer at that time – a Commodore CDTV! Several of my classmates had Amiga 500, but one had gotten a CDTV some months prior to me, and I was blown away by it – mainly because it was an Amiga and had great graphics and sound, but primarily because of the CDTV’s sexiness. I mean, look at it! It’s beautiful! And … it had a CD-ROM drive.

I quickly began to explore its music making capabilities, and one day, I got my hands on a public domain disk with a program called ProTracker. Just what I needed! It came with some modules and the ST-01 sample disk, and the best way to learn was to dissect the modules and try over and over again – and so I did.

I had no sampler to begin with, so I borrowed one from one of my classmates (he never wanted it back, though..), and it worked, although there were some weak solder joints and semi-broken connections – but it was good enough for me. I sampled anything that was remotely useful from the only hardcore CD I had at the time, Thunderdome IV, and started to put it together. It didn’t sound very good (to say the least), but I still forced my brother and classmates to listen to everything 🙂

Over the course of the next year or two, I improved my ProTracker-skills considerably, and also made some “regular” techno tracks, before the CDTV eventually broke – and I of course trashed all my disks … That was a good decision! 😀 Up until 1997, I had no computer of my own, but I still wanted to make music…


Since my Amiga bailed out on me, the PC’s multimedia capabilities had improved quite a bit, so this was to be my next computer. I saved up a LOT of money to buy a 166MHz Pentium with 16MB of RAM and a Sound Blaster 16 sound card, and looked high and low for new music editors. The standard at the time were tracker-style programs, which I was used to from the Amiga, so the very first I got a hold of was ScreamTracker. It had some limitations, though, like max 64kb 8-bit samples (IIRC), and that didn’t harmonize with the Sound Blaster’s CD quality sampling.

So when I discovered Impulse Tracker shortly after, I made a quick transition and kept that as my preferred software for a long time, composing mostly techno and trance music, but also downtempo, ambient and various other unspeakable genres. I also started a project with my friend Jesper, “Jævrik Mix Inc.” – I wrote the music, and he supplied lyrics and vocals.


Around 2001, I discovered a new piece of software – Propellerhead Reason – and was intrigued by its virtual hardware rack layout and software synths, so after changing my workflow habits a bit, I ditched Impulse Tracker for good, and for the first time I was able to make crystal-clear, professional sounding music with effects that were nearly impossible to create in a sample-based tracker. I continued in the following years with both my own projects and Jævrik Mix Inc., but at some point, I slowly lost interest in making music, and was lacking inspiration.


In 2014, however, I wanted to give Commodore 64 SID-music another shot, and thanks to both the internet and some very friendly and helpful people, I slowly started to figure out how the SID chip actually works, and was able to compose quite a few tunes between 2014 and 2015. I became a member of A4 (a collaboration of the scene groups Atlantis and Fantastic 4 Cracking Group), and supplied music for two demos. I liked composing SID music, but over time, I was starting to lack creativity once again, and had too much going on at once to be able to focus on basically anything…


As you probably can tell by now, I have always been into techno and electronic music, but in late 2016 or so, I got a renewed interest in hardcore techno, gabber, speedcore and other harder and noisier sub-genres, and since my Amiga had been tucked away in the closet for years, I thought it was about time to dig it out and go full circle: 4 tracks, gritty 8-bit samples and nostalgic noise. It was ProTracker time again! As opposed to earlier, I really don’t care now if my music is CD-quality or has a ton of effects. More is less, and it’s all about getting the most out of limited ressources and just make it sound hard and dark.


Cat # Released Title
SLB-S001 June 24, 2017 Fuck Your Eyebrows
SLB-S002 July 6, 2017 Stokelekpind
SLB-S003 October 9, 2017 Det Var Så Dén Weekend
SLB-S004 November 7, 2017 The Jævrik Mix Fromklips feat. RO9
SLB-S005 January 25, 2018 Arschenschmerz
SLB-S006 March 18, 2018 Rumlepotten
SLB-S007 March 24, 2018 Godt Parat I Ovnen
SLB-S008 April 28, 2018 Move You Make
SLB-S009 August 6, 2018 Break That Pussy
SLB-S010 August 6, 2018 How About Drums
SLB-S011 September 1, 2018 I Hate Neighbors
SLB-S012 September 16, 2018 Love Turns To Hate

What I’m using

  • Amiga 1200 equipped with a Blizzard 1230 IV / 50MHz / 64MB
  • Technosound Turbo II parallel port sampler
  • ProTracker 3.15 or OctaMED trackers
  • MOD2SMP for bouncing tracks
  • Cubase (for mixing, post-effects and mastering)
  • Yamaha HS7 monitors (for mastering)


The name “Slaskeben” roughly translates to “floppy legs” in english. It sounds pretty funny in danish, and is a word me and my brother came up with when we were kids, watching the Olympic Games. There were a gymnastics disclipine called pommel horse (or something like that), and legs were flying everywhere = floppy legs. And – that’s also basically how you would dance to techno. Ta-daa! 😀